The Project Gutenberg EBook of Lysistrata, by Aristophanes
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Title: Lysistrata
Author: Aristophanes
Commentator: Jack Lindsay
Illustrator: Norman Lindsay
Release Date: April 6, 2008 [EBook #7700]
Last Updated: October 24, 2012
Language: English
Character set encoding: ISO-8859-1
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LYSISTRATA
Translated from the Greek of
ARISTOPHANES
Illustrations by Norman Lindsay
FOREWORD
Lysistrata is the greatest work by Aristophanes. This blank and rash statement is made that it may be rejected. But first let it be understood that I do not mean it is a better written work than the Birds or the Frogs, or that (to descend to the scale of values that will be naturally imputed to me) it has any more appeal to the collectors of "curious literature" than the Ecclesiazusae or the Thesmophoriazusae. On the mere grounds of taste I can see an at least equally good case made out for the Birds. That brightly plumaged fantasy has an aerial wit and colour all its own. But there are certain works in which a man finds himself at an angle of vision where there is an especially felicitous union of the aesthetic and emotional elements which constitute the basic qualities of his uniqueness. We recognize these works as being welded into a strange unity, as having a homogeneous texture of ecstasy over them that surpasses any aesthetic surface of harmonic colour, though that harmony also is understood by the deeper welling of imagery from the core of creative exaltation. And I think that this occurs in Lysistrata. The intellectual and spiritual tendrils of the poem are more truly interwoven, the operation of their centres more nearly unified; and so the work goes deeper into life. It is his greatest play because of this, because it holds an intimate perfume of femininity and gives the finest sense of the charm of a cluster of girls, the sweet sense of their chatter, and the contact of their bodies, that is to be found before Shakespeare, because that mocking gaiety we call Aristophanies reaches here its most positive acclamation of life, vitalizing sex with a deep delight, a rare happiness of the spirit.
Indeed it is precisely for these reasons that it is not considered Aristophanes' greatest play.
To take a case which is sufficiently near to the point in question, to make clear what I mean: the supremacy of Antony and Cleopatra in the Shakespearean aesthetic is yet jealously disputed, and it seems silly to the academic to put it up against a work like Hamlet. But it is the comparatively more obvious achievement of Hamlet, its surface intellectuality, which made it the favourite of actors and critics. It is much more difficult to realize the complex and delicately passionate edge of the former play's rhythm, its tides of hugely wandering emotion, the restless, proud, gay, and agonized reaction from life, of the blood, of the mind, of the heart, which is its unity, than to follow the relatively straightforward definition of Hamlet's nerves. Not that anything derogatory to Hamlet or the Birds is intended; but the value of such works is not enhanced by forcing them into contrast with other works which cover deeper and wider nexus of aesthetic and spiritual material. It is the very subtlety of the vitality of such works as Antony and Cleopatra and Lysistrata that makes it so easy to undervalue them, to see only a phallic play and political pamphlet in one, only a chronicle play in a grandiose method in the other. For we have to be in a highly sensitized condition before we can get to that subtle point where life and the image mix, and so really perceive the work at all; whereas we can command the response to a lesser work which does not call so finely on the full breadth and depth of our spiritual resources.
I amuse myself at times with the fancy that Homer, Sappho, and Aristophanes are the inviolable Trinity of poetry, even to the extent of being reducible to One. For the fiery and lucid directness of Sappho, if her note of personal lyricism is abstracted, is seen to be an element of Homer, as is the profoundly balanced humour of Aristophanes, at once tenderly human and cruelly hard, as of a god to whom all sympathies and tolerances are known, but who is invulnerable somewhere, who sees from a point in space where the pressure of earth's fear and pain, and so its pity, is lifted. It is here that the Shakespearean and Homeric worlds impinge and merge, not to be separated by any academic classifications. They meet in this sensitivity equally involved and aloof, sympathetic and arrogant, suffering and joyous; and in this relation we see Aristophanes as the forerunner of Shakespeare, his only one. We see also that the whole present aesthetic of earth is based in Homer. We live and grow in the world of consciousness bequeathed to us by him; and if we grow beyond it through deeper Shakespearean ardours, it is because those beyond are rooted in the broad basis of the Homeric imagination. To shift that basis is to find the marshes of primitive night and fear alone beneath the feet: Christianity.
And here we return to the question of the immorality of Lysistrata. First we may inquire: is it possible for a man whose work has so tremendous a significance in the spiritual development of mankind–and I do not think anyone nowadays doubts that a work of art is the sole stabilizing force that exists for life–is it possible for a man who stands so grandly at head of an immense stream of liberating effort to write an immoral work? Surely the only enduring moral virtue which can be claimed is for that which moves to more power, beauty and delight in the future? The plea that the question of changing customs arises is not valid, for customs ratified by Aristophanes, by Rabelais, by Shakespeare, have no right to change. If they have changed, let us try immediately to return from our disgraceful refinements to the nobler and more rarefied heights of lyric laughter, tragic intensity, and wit, for we cannot have the first two without the last. And anyhow, how can a social custom claim precedence over the undying material of the senses and the emotions of man, over the very generating forces of life?
How could the humanistic emotions, such as pity, justice, sympathy, exist save as pacifistic quietings of the desire to slay, to hurt, to torment. Where the desire to hurt is gone pity ceases to be a significant, a central emotion. It must of course continue to exist, but it is displaced in the spiritual hierarchy; and all that moves courageously, desirously, and vitally into the action of life takes on a deeper and subtler intention. Lust, then, which on the lower plane was something to be very frightened of, becomes a symbol of the highest spirituality. It is right for Paul to be terrified of sex and so to hate it, because he has so freshly escaped a bestial condition of life that it threatens to plunge him back if he listens to one whisper But it is also right for a Shakespeare to suck every drop of desire from life, for he is building into a higher condition, one self-willed, self- responsible, the discipline of which comes from joy, not fear.
Sex, therefore, is an animal function, one admits, one insists; it may be only that. But also in the bewildering and humorous and tragic duality of all life's energies, it is the bridge to every eternity which is not merely a spectral condition of earth disembowelled of its lusts. For sex holds the substance of the image. But we must remember with Heine that Aristophanes is the God of this ironic earth, and that all argument is apparently vitiated from the start by the simple fact that Wagner and a rooster are given an analogous method of making love. And therefore it seems impeccable logic to say that all that is most unlike the rooster is the most spiritual part of love. All will agree on that, schisms only arise when one tries to decide what does go farthest from the bird's automatic mechanism. Certainly not a Dante-Beatrice affair which is only the negation of the rooster in terms of the swooning bombast of adolescence, the first onslaught of a force which the sufferer cannot control or inhabit with all the potentialities of his body and soul. But the rooster is troubled by no dreams of a divine orgy, no carnival-loves like Beethoven's Fourth Symphony, no heroic and shining lust gathering and swinging into a merry embrace like the third act of Siegfried. It is desire in this sense that goes farthest from the animal.
Consciously, no one can achieve the act of love on earth as a completed thing of grace, with whatever delirium of delight, with whatever ingenious preciosity, we go through its process. Only as an image of beauty mated in some strange hermaphroditic ecstasy is that possible. I mean only as a dream projected into a hypothetical, a real heaven. But on earth we cannot complete the cycle in consciousness that would give us the freedom of an image in which two identities mysteriously realize their separate unities by the absorption of a third thing, the constructive rhythm of a work of art. It is thus that Tristan and Isolde become wholly distinct individuals, yet wholly submerged in the unity that is Wagner; and so reconcile life's duality by balancing its opposing laughters in a definite form–thereby sending out into life a profounder duality than existed before. A Platonic equipoise, Nietzsche's Eternal Recurrence–the only real philosophic problem, therefore one of which these two philosophers alone are aware.
But though Wagner with Mathilde Wesendonck in his arms was Tristan in the arms of Isolde, he did not find a melody instead of a kiss on his lips; he did not find a progression of harmonies melting through the contours of a warm beauty with a blur of desperate ecstasies, semitones of desire, he found only the anxious happiness of any other lover. Nevertheless, he was gathering the substance of the second act of Tristan und Isolde. And it is this that Plato means when he says that fornication is something immortal in mortality. He does not mean that the act itself is a godlike thing, a claim which any bedroom mirror would quickly deride. He means that it is a symbol, an essential condition, and a part of something that goes deeper into life than any geometry of earth's absurd, passionate, futile, and very necessary antics would suggest.
It is a universal fallacy that because works like the comedies of Aristophanes discuss certain social or ethical problems, they are inspired by them. Aristophanes wrote to express his vision on life, his delight in life itself seen behind the warping screen of contemporary event; and for his purposes anything from Euripides to Cleon served as ground work. Not that he would think in those terms, naturally: but the rationalizing process that goes on in consciousness during the creation of a work of art, for all its appearance of directing matters, is the merest weathercock in the wind of the subconscious intention. As an example of how utterly it is possible to misunderstand the springs of inspiration in a poem, we may take the following remark of B. B. Rogers: It is much to be regretted that the phallus element should be so conspicuous in this play…. (This) coarseness, so repulsive to ourselves, was introduced, it is impossible to doubt, for the express purpose of counter-balancing the extreme earnestness and gravity of the play. It seems so logical, so irrefutable; and so completely misinterprets every creative force of Aristophanes' Psyche that it certainly deserves a little admiration. It is in the best academic tradition, and everyone respects a man for writing so mendaciously. The effort of these castrators is always to show that the parts considered offensive are not the natural expression of the poet, that they are dictated externally. They argue that Shakespeare's coarseness is the result of the age and not personal predilection, completely ignoring the work of men like Sir Philip Sidney and Spenser, indeed practically all the pre-Shakespearean writers, in whom none of this so-called grossness exists. Shakespeare wrote sculduddery because he liked it, and for no other reason; his sensuality is the measure of his vitality. These liars pretend similarly that because Rabelais had a humanistic reason for much of his work–the destructior Mediaevalism, and the Church, which purpose they construe of course as an effort to purify, etc.–therefore he only put the lewdery to make the rest palatable, when it should be obvious even to an academic how he glories in his wild humour.
What the academic cannot understand is that in such works, while attacking certain conditions, the creative power of the vigorous spirits is so great that it overflows and saturates the intellectual conception with their own passionate sense of life. It is for this reason that these works have an eternal significance. If Rabelais were merely a social reformer, then the value of his work would not have outlived his generation. If Lysistrata were but a wise political tract, it would have merely an historical interest, and it would have ceased spiritually at 404 B.C.
But Panurge is as fantastic and fascinating a character now as he was 300 years ago, Lysistrata and her girls as freshly bodied as any girl kissed to-day. Therefore the serious part of the play is that which deals with them, the frivolous part that in which Rogers detects gravity and earnestness.
Aristophanes is the lord of all who take life as a gay adventure, who defy all efforts to turn life into a social, economic, or moral abstraction. Is it therefore just that the critics who, by some dark instinct, unerringly pick out the exact opposite of any creator's real virtues as his chief characteristics, should praise him as an idealistic reformer? An "ideal" state of society was the last thing Aristophanes desired. He wished, certainly, to eliminate inhumanities and baseness; but only that there might be free play for laughter, for individual happiness.
Consequently the critics lay the emphasis on the effort to cleanse society, not the method of laughter. Aristophanes wished to destroy Cleon because that demagogue failed to realize the poet's conception of dignified government and tended to upset the stability of Hellas. But it was the stability of life, the vindication of all individual freedoms, in which he was ultimately interested.
JACK LINDSAY.
LYSISTRATA
The Persons of the drama.
LYSISTRATACALONICEMYRRHINELAMPITOStratyllis, etc.Chorus of Women.MAGISTRATECINESIASSPARTAN HERALDENVOYSATHENIANSPorter, Market Idlers, etc.Chorus of old Men. |
LYSISTRATA stands alone with the Propylaea at her back.
LYSISTRATA
If they were trysting for a Bacchanal,A feast of Pan or Colias or Genetyllis,The tambourines would block the rowdy streets,But now there's not a woman to be seenExcept–ah, yes–this neighbour of mine yonder.
Enter CALONICE.
Good day Calonice.
CALONICE
Good day Lysistrata.But what has vexed you so? Tell me, child.What are these black looks for? It doesn't suit youTo knit your eyebrows up glumly like that.
LYSISTRATA
Calonice, it's more than I can bear,I am hot all over with blushes for our sex.Men say we're slippery rogues–
CALONICE
And aren't they right?
LYSISTRATA
Yet summoned on the most tremendous businessFor deliberation, still they snuggle in bed.
CALONICE
My dear, they'll come. It's hard for women, you know,To get away. There's so much to do;Husbands to be patted and put in good tempers:Servants to be poked out: children washedOr soothed with lullays or fed with mouthfuls of pap.
LYSISTRATA
But I tell you, here's a far more weighty object.
CALONICE
What is it all about, dear Lysistrata,That you've called the women hither in a troop?What kind of an object is it?
LYSISTRATA
A tremendous thing!
CALONICE
And long?
LYSISTRATA
Indeed, it may be very lengthy.
CALONICE
Then why aren't they here?
LYSISTRATA
No man's connected with it;If that was the case, they'd soon come fluttering along.No, no. It concerns an object I've felt overAnd turned this way and that for sleepless nights.
CALONICE
It must be fine to stand such long attention.
LYSISTRATA
So fine it comes to this–Greece saved by Woman!
CALONICE
By Woman? Wretched thing, I'm sorry for it.
LYSISTRATA
Our country's fate is henceforth in our hands:To destroy the Peloponnesians root and branch–
CALONICE
What could be nobler!
LYSISTRATA
Wipe out the Boeotians–
CALONICE
Not utterly. Have mercy on the eels![Footnote: The Boeotian eels were highly esteemed delicacies in Athens.]
LYSISTRATA
But with regard to Athens, note I'm carefulNot to say any of these nasty things;Still, thought is free…. But if the women join usFrom Peloponnesus and Boeotia, thenHand in hand we'll rescue Greece.
CALONICE
How could we doSuch a big wise deed? We women who dwellQuietly adorning ourselves in a back-roomWith gowns of lucid gold and gawdy toiletsOf stately silk and dainty little slippers….
LYSISTRATA
These are the very armaments of the rescue.These crocus-gowns, this outlay of the best myrrh,Slippers, cosmetics dusting beauty, and robesWith rippling creases of light.
CALONICE
Yes, but how?
LYSISTRATA
No man will lift a lance against another–
CALONICE
I'll run to have my tunic dyed crocus.
LYSISTRATA
Or take a shield–
CALONICE
I'll get a stately gown.
LYSISTRATA
Or unscabbard a sword–
CALONICE
Let me buy a pair of slipper.
LYSISTRATA
Now, tell me, are the women right to lag?
CALONICE
They should have turned birds, they should have grownwings and flown.
LYSISTRATA
My friend, you'll see that they are true Athenians:Always too late. Why, there's not a womanFrom the shoreward demes arrived, not one from Salamis.
CALONICE
I know for certain they awoke at dawn,And got their husbands up if not their boat sails.
LYSISTRATA
And I'd have staked my life the Acharnian damesWould be here first, yet they haven't come either!
CALONICE
Well anyhow there is Theagenes' wifeWe can expect–she consulted Hecate.But look, here are some at last, and more behind them.See … where are they from?
CALONICE
From Anagyra they come.
LYSISTRATA
Yes, they generally manage to come first.
Enter MYRRHINE.
MYRRHINE
Are we late, Lysistrata? … What is that?Nothing to say?
LYSISTRATA
I've not much to say for you,Myrrhine, dawdling on so vast an affair.
MYRRHINE
I couldn't find my girdle in the dark.But if the affair's so wonderful, tell us, what is it?
LYSISTRATA
No, let us stay a little longer tillThe Peloponnesian girls and the girls of BocotiaAre here to listen.
MYRRHINE
That's the best advice.Ah, there comes Lampito.
Enter LAMPITO.
LYSISTRATA
Welcome Lampito!Dear Spartan girl with a delightful face,Washed with the rosy spring, how fresh you lookIn the easy stride of your sleek slenderness,Why you could strangle a bull!
LAMPITO
I think I could.It's frae exercise and kicking high behint.
[Footnote: The translator has put the speech of the Spartan charactersin Scotch dialect which is related to English about as was the Spartandialect to the speech of Athens. The Spartans, in their character,anticipated the shrewd, canny, uncouth Scotch highlander of moderntimes.]
LYSISTRATA
What lovely breasts to own!
LAMPITO
Oo … your fingersAssess them, ye tickler, wi' such tender chucksI feel as if I were an altar-victim.
LYSISTRATA
Who is this youngster?
LAMPITO
A Boeotian lady.
LYSISTRATA
There never was much undergrowth in Boeotia,Such a smooth place, and this girl takes after it.
CALONICE
Yes, I never saw a skin so primly kept.
LYSISTRATA
This girl?
LAMPITO
A sonsie open-looking jinker!She's a Corinthian.
LYSISTRATA
Yes, isn't sheVery open, in some ways particularly.
LAMPITO
But who's garred this Council o' Women to meet here?
LYSISTRATA
I have.
LAMPITO
Propound then what you want o' us.
MYRRHINE
What is the amazing news you have to tell?
LYSISTRATA
I'll tell you, but first answer one small question.
MYRRHINE
As you like.
LYSISTRATA
Are you not sad your children's fathersGo endlessly off soldiering afarIn this plodding war? I am willing to wagerThere's not one here whose husband is at home.
CALONICE
Mine's been in Thrace, keeping an eye on EucratesFor five months past.
MYRRHINE
And mine left me for PylosSeven months ago at least.
LAMPITO
And as for mineNo sooner has he slipped out frae the lineHe straps his shield and he's snickt off again.
LYSISTRATA
And not the slightest glitter of a lover!And since the Milesians betrayed us, I've not seenThe image of a single upright manTo be a marble consolation to us.Now will you help me, if I find a meansTo stamp the war out.
MYRRHINE
By the two Goddesses, Yes!I will though I've to pawn this very dressAnd drink the barter-money the same day.
CALONICE
And I too though I'm split up like a turbotAnd half is hackt off as the price of peace.
LAMPITO
And I too! Why, to get a peep at the shy thingI'd clamber up to the tip-top o' Taygetus.
LYSISTRATA
Then I'll expose my mighty mystery.O women, if we would compel the menTo bow to Peace, we must refrain–
MYRRHINE
From what?O tell us!
LYSISTRATA
Will you truly do it then?
MYRRHINE
We will, we will, if we must die for it.
LYSISTRATA
We must refrain from every depth of love….Why do you turn your backs? Where are you going?Why do you bite your lips and shake your heads?Why are your faces blanched? Why do you weep?Will you or won't you, or what do you mean?
MYRRHINE
No, I won't do it. Let the war proceed.
CALONICE
No, I won't do it. Let the war proceed.
LYSISTRATA
You too, dear turbot, you that said just nowYou didn't mind being split right up in the least?
CALONICE
Anything else? O bid me walk in fireBut do not rob us of that darling joy.What else is like it, dearest Lysistrata?
LYSISTRATA
And you?
MYRRHINE
O please give me the fire instead.
LYSISTRATA
Lewd to the least drop in the tiniest vein,Our sex is fitly food for Tragic Poets,Our whole life's but a pile of kisses and babies.But, hardy Spartan, if you join with meAll may be righted yet. O help me, help me.
LAMPITO
It's a sair, sair thing to ask of us, by the Twa,A lass to sleep her lane and never fillLove's lack except wi' makeshifts…. But let it be.Peace maun be thought of first.
LYSISTRATA
My friend, my friend!The only one amid this herd of weaklings.
CALONICE
But if–which heaven forbid–we should refrainAs you would have us, how is Peace induced?
LYSISTRATA
By the two Goddesses, now can't you seeAll we have to do is idly sit indoorsWith smooth roses powdered on our cheeks,Our bodies burning naked through the foldsOf shining Amorgos' silk, and meet the menWith our dear Venus-plats plucked trim and neat.Their stirring love will rise up furiously,They'll beg our arms to open. That's our time!We'll disregard their knocking, beat them off–And they will soon be rabid for a Peace.I'm sure of it.
LAMPITO
Just as Menelaus, they say,Seeing the bosom of his naked HelenFlang down the sword.
CALONICE
But we'll be tearful foolsIf our husbands take us at our word and leave us.
LYSISTRATA
There's only left then, in Pherecrates' phrase,To flay a skinned dog–flay more our flayed desires.
CALONICE
Bah, proverbs will never warm a celibate.But what avail will your scheme be if the menDrag us for all our kicking on to the couch?
LYSISTRATA
Cling to the doorposts.
CALONICE
But if they should force us?
LYSISTRATA
Yield then, but with a sluggish, cold indifference.There is no joy to them in sullen mating.Besides we have other ways to madden them;They cannot stand up long, and they've no delightUnless we fit their aim with merry succour.
CALONICE
Well if you must have it so, we'll all agree.
LAMPITO
For us I ha' no doubt. We can persuadeOur men to strike a fair an' decent Peace,But how will ye pitch out the battle-frenzyO' the Athenian populace?
LYSISTRATA
I promise youWe'll wither up that curse.
LAMPITO
I don't believe it.Not while they own ane trireme oared an' rigged,Or a' those stacks an' stacks an' stacks O' siller.
LYSISTRATA
I've thought the whole thing out till there's no flaw.We shall surprise the Acropolis today:That is the duty set the older dames.While we sit here talking, they are to goAnd under pretence of sacrificing, seize it.
LAMPITO
Certie, that's fine; all's working for the best.
LYSISTRATA
Now quickly, Lampito, let us tie ourselvesTo this high purpose as tightly as the hemp of wordsCan knot together.
LAMPITO
Set out the terms in detailAnd we'll a' swear to them.
LYSISTRATA
Of course…. Well thenWhere is our Scythianess? Why are you staring?First lay the shield, boss downward, on the floorAnd bring the victim's inwards.
CAILONICE
But, Lysistrata,What is this oath that we're to swear?
LYSISTRATA
What oath!In Aeschylus they take a slaughtered sheepAnd swear upon a buckler. Why not we?
CALONICE
O Lysistrata, Peace sworn on a buckler!
LYSISTRATA
What oath would suit us then?
CALONICE
Something burden bearingWould be our best insignia…. A white horse!Let's swear upon its entrails.
LYSISTRATA
A horse indeed!
CALONICE
Then what will symbolise us?
LYSISTRATA
This, as I tell you–First set a great dark bowl upon the groundAnd disembowel a skin of Thasian wine,Then swear that we'll not add a drop of water.
LAMPITO Ah, what aith could clink pleasanter than that!
LYSISTRATA Bring me a bowl then and a skin of wine.
CALONICE My dears, see what a splendid bowl it is; I'd not say No if asked to sip it off.
LYSISTRATA Put down the bowl. Lay hands, all, on the victim. Skiey Queen who givest the last word in arguments, And thee, O Bowl, dear comrade, we beseech: Accept our oblation and be propitious to us.
CALONICE What healthy blood, la, how it gushes out!
LAMPITO An' what a leesome fragrance through the air.
LYSISTRATA Now, dears, if you will let me, I'll speak first.
CALONICE Only if you draw the lot, by Aphrodite!
LYSISTRATA SO, grasp the brim, you, Lampito, and all. You, Calonice, repeat for the rest Each word I say. Then you must all take oath And pledge your arms to the same stern conditions–
LYSISTRATA To husband or lover I'll not open arms
CALONICE
To husband or lover I'll not open arms
LYSISTRATA
Though love and denial may enlarge his charms.
CALONICE
Though love and denial may enlarge his charms.O, O, my knees are failing me, Lysistrata!
LYSISTRATA
But still at home, ignoring him, I'll stay,
CALONICE
But still at home, ignoring him, I'll stay,
LYSISTRATA
Beautiful, clad in saffron silks all day.
CALONICE
Beautiful, clad in saffron silks all day.
LYSISTRATA
If then he seizes me by dint of force,
CALONICE
If then he seizes me by dint of force,
LYSISTRATA
I'll give him reason for a long remorse.
CALONICE
I'll give him reason for a long remorse.
LYSISTRATA
I'll never lie and stare up at the ceiling,
CALONICE
I'll never lie and stare up at the ceiling,
LYSISTRATA
Nor like a lion on all fours go kneeling.
CALONICE
Nor like a lion on all fours go kneeling.
LYSISTRATA
If I keep faith, then bounteous cups be mine.
CALONICE
If I keep faith, then bounteous cups be mine.
LYSISTRATA
If not, to nauseous water change this wine.
CALONICE If not, to nauseous water change this wine.
LYSISTRATA
Do you all swear to this?
MYRRHINE
We do, we do.
LYSISTRATA
Then I shall immolate the victim thus.She drinks.
CALONICE
Here now, share fair, haven't we made a pact?Let's all quaff down that friendship in our turn.
LAMPITO
Hark, what caterwauling hubbub's that?
LYSISTRATA
As I told you,The women have appropriated the citadel.So, Lampito, dash off to your own landAnd raise the rebels there. These will serve as hostages,While we ourselves take our places in the ranksAnd drive the bolts right home.
CALONICE
But won't the menMarch straight against us?
LYSISTRATA
And what if they do?No threat shall creak our hinges wide, no torchShall light a fear in us; we will come outTo Peace alone.
CALONICE
That's it, by Aphrodite!As of old let us seem hard and obdurate.
LAMPITO and some go off; the others go up into the Acropolis.
Chorus of OLD MEN enter to attack the captured Acropolis.
Make room, Draces, move ahead; why your shoulder's chafed, I see,With lugging uphill these lopped branches of the olive-tree.How upside-down and wrong-way-round a long life sees things grow.Ah, Strymodorus, who'd have thought affairs could tangle so?
The women whom at home we fed,Like witless fools, with fostering bread,Have impiously come to this–They've stolen the Acropolis,With bolts and bars our orders floutAnd shut us out.
Come, Philurgus, bustle thither; lay our faggots on the ground,In neat stacks beleaguering the insurgents all around;And the vile conspiratresses, plotters of such mischief dire,Pile and burn them all together in one vast and righteous pyre:Fling with our own hands Lycon's wife to fry in the thickest fire.By Demeter, they'll get no brag while I've a vein to beat!Cleomenes himself was hurtled out in sore defeat.His stiff-backed Spartan pride was bent.Out, stripped of all his arms, he went:A pigmy cloak that would not stretchTo hide his rump (the draggled wretch),Six sprouting years of beard, the spilthOf six years' filth.
That was a siege! Our men were ranged in lines of seventeen deepBefore the gates, and never left their posts there, even to sleep.Shall I not smite the rash presumption then of foes like these,Detested both of all the gods and of Euripides–Else, may the Marathon-plain not boast my trophied victories!
Ah, now, there's but a little spaceTo reach the place!A deadly climb it is, a tricky roadWith all this bumping load:A pack-ass soon would tire….How these logs bruise my shoulders! further stillJog up the hill,And puff the fire inside,Or just as we reach the top we'll find it's died.Ough, phew!I choke with the smoke.
Lord Heracles, how acrid-hotOut of the potThis mad-dog smoke leaps, worrying meAnd biting angrily….'Tis Lemnian fire that smokes,Or else it would not sting my eyelids thus….Haste, all of us;Athene invokes our aid.Laches, now or never the assault must be made!Ough, phew!I choke with the smoke. ..
Thanked be the gods! The fire peeps up and crackles as it should.Now why not first slide off our backs these weary loads of woodAnd dip a vine-branch in the brazier till it glows, then straightHurl it at the battering-ram against the stubborn gate?If they refuse to draw the bolts in immediate compliance,We'll set fire to the wood, and smoke will strangle their defiance.
Phew, what a spluttering drench of smoke! Come, now from off my back….Is there no Samos-general to help me to unpack?Ah there, that's over! For the last time now it's galled my shoulder.Flare up thine embers, brazier, and dutifully smoulder,To kindle a brand, that I the first may strike the citadel.Aid me, Lady Victory, that a triumph-trophy may tellHow we did anciently this insane audacity quell!
Chorus of WOMEN.
What's that rising yonder? That ruddy glare, that smoky skurry?O is it something in a blaze? Quick, quick, my comrades, hurry!Nicodice, helter-skelter!Or poor Calyce's in flamesAnd Cratylla's stifled in the welter.O these dreadful old menAnd their dark laws of hate!There, I'm all of a tremble lest I turn out to be too late.I could scarcely get near to the spring though I rose before dawn,What with tattling of tongues and rattling of pitchers in one jostling dinWith slaves pushing in!….
Still here at last the water's drawnAnd with it eagerly I runTo help those of my friends who standIn danger of being burned alive.For I am told a dribbling bandOf greybeards hobble to the field,Great faggots in each palsied hand,As if a hot bath to prepare,And threatening that out they'll driveThese wicked women or soon leave them charring into ashesthere.O Goddess, suffer not, I pray, this harsh deed to be done,But show us Greece and Athens with their warlike acts repealed!For this alone, in this thy hold,Thou Goddess with the helm of gold,We laid hands on thy sanctuary,Athene…. Then our ally beAnd where they cast their fires of slaughterDirect our water!
STRATYLLIS (caught)
Let me go!
WOMEN
You villainous old men, what's this you do?No honest man, no pious man, could do such things as you.
MEN
Ah ha, here's something most original, I have no doubt:A swarm of women sentinels to man the walls without.
WOMEN
So then we scare you, do we? Do we seem a fearful host?You only see the smallest fraction mustered at this post.
MEN
Ho, Phaedrias, shall we put a stop to all these chattering tricks?Suppose that now upon their backs we splintered these our sticks?
WOMEN
Let us lay down the pitchers, so our bodies will be free, In case these lumping fellows try to cause some injury.
MEN
O hit them hard and hit again and hit until they run away,And perhaps they'll learn, like Bupalus, not to have too much to say.
WOMEN
Come on, then–do it! I won't budge, but like a dog I'll biteAt every little scrap of meat that dangles in my sight.
MEN
Be quiet, or I'll bash you out of any years to come.
WOMEN
Now you just touch Stratyllis with the top-joint of your thumb.
MEN
What vengeance can you take if with my fists your face I beat?
WOMEN
I'll rip you with my teeth and strew your entrails at your feet.
MEN
Now I appreciate Euripides' strange subtlety:Woman is the most shameless beast of all the beasts that be.
WOMEN
Rhodippe, come, and let's pick up our water-jars once more.
MEN
Ah cursed drab, what have you brought this water for?
WOMEN
What is your fire for then, you smelly corpse? Yourself to burn?
MEN
To build a pyre and make your comrades ready for the urn.
WOMEN
And I've the water to put out your fire immediately.
MEN
What, you put out my fire?
WOMEN
Yes, sirrah, as you soon will see.
MEN
I don't know why I hesitate to roast you with this flame.
WOMEN
If you have any soap you'll go off cleaner than you came.
MEN
Cleaner, you dirty slut?
WOMEN
A nuptial-bath in which to lie!
MEN
Did you hear that insolence?
WOMEN
I'm a free woman, I.
MEN
I'll make you hold your tongue.
WOMEN
Henceforth you'll serve in no more juries.
MEN
Burn off her hair for her.
WOMEN
Now forward, water, quench their furies!
MEN
O dear, O dear!
WOMEN
So … was it hot?
MEN
Hot! … Enough, O hold.
WOMEN
Watered, perhaps you'll bloom again–why not?
MEN
Brrr, I'm wrinkled up from shivering with cold.
WOMEN
Next time you've fire you'll warm yourself and leave us to our lot.
MAGISTRATE enters with attendant SCYTHIANS.
MAGISTRATE
Have the luxurious rites of the women glitteredTheir libertine show, their drumming tapped out crowds,The Sabazian Mysteries summoned their mob,Adonis been wept to death on the terraces,As I could hear the last day in the Assembly?For Demostratus–let bad luck befoul him–Was roaring, "We must sail for Sicily,"While a woman, throwing herself about in a danceLopsided with drink, was shrilling out "Adonis,Woe for Adonis." Then Demostratus shouted,"We must levy hoplites at Zacynthus,"And there the woman, up to the ears in wine,Was screaming "Weep for Adonis" on the house-top,The scoundrelly politician, that lunatic ox,Bellowing bad advice through tipsy shrieks:Such are the follies wantoning in them.
MEN
O if you knew their full effrontery!All of the insults they've done, besides sousing usWith water from their pots to our public disgraceFor we stand here wringing our clothes like grown-up infants.
MAGISTRATE
By Poseidon, justly done! For in part with usThe blame must lie for dissolute behaviourAnd for the pampered appetites they learn.Thus grows the seedling lust to blossoming:We go into a shop and say, "Here, goldsmith,You remember the necklace that you wrought my wife;Well, the other night in fervour of a danceHer clasp broke open. Now I'm off for Salamis;If you've the leisure, would you go tonightAnd stick a bolt-pin into her opened clasp."Another goes to a cobbler; a soldierly fellow,Always standing up erect, and says to him,"Cobbler, a sandal-strap of my wife's pinches her,Hurts her little toe in a place where she's sensitive.Come at noon and see if you can stretch out widerThis thing that troubles her, loosen its tightness."And so you view the result. Observe my case–I, a magistrate, come here to drawMoney to buy oar-blades, and what happens?The women slam the door full in my face.But standing still's no use. Bring me a crowbar,And I'll chastise this their impertinence.What do you gape at, wretch, with dazzled eyes?Peering for a tavern, I suppose.Come, force the gates with crowbars, prise them apart!I'll prise away myself too…. (LYSISTRATA appears.)
LYSISTRATA
Stop this banging.I'm coming of my own accord…. Why bars?It is not bars we need but common sense.
MAGISTRATE
Indeed, you slut! Where is the archer now?Arrest this woman, tie her hands behind.
LYSISTRATA
If he brushes me with a finger, by Artemis,The public menial, he'll be sorry for it.
MAGISTRATE
Are you afraid? Grab her about the middle.Two of you then, lay hands on her and end it.
CALONICE
By Pandrosos I if your hand touches herI'll spread you out and trample on your guts.
MAGISTRATE
My guts! Where is the other archer gone?Bind that minx there who talks so prettily.
MYRRHINE
By Phosphor, if your hand moves out her wayYou'd better have a surgeon somewhere handy.
MAGISTRATE
You too! Where is that archer? Take that woman.I'll put a stop to these surprise-parties.
STRATYLLIS
By the Tauric Artemis, one inch nearerMy fingers, and it's a bald man that'll be yelling.
MAGISTRATE
Tut tut, what's here? Deserted by my archers….But surely women never can defeat us;Close up your ranks, my Scythians. Forward at them.
LYSISTRATA
By the Goddesses, you'll find that here await youFour companies of most pugnacious womenArmed cap-a-pie from the topmost louring curlTo the lowest angry dimple.
MAGISTRATE
On, Scythians, bind them.
LYSISTRATA
On, gallant allies of our high design,Vendors of grain-eggs-pulse-and-vegetables,Ye garlic-tavern-keepers of bakeries,Strike, batter, knock, hit, slap, and scratch our foes,Be finely imprudent, say what you think of them….Enough! retire and do not rob the dead.
MAGISTRATE
How basely did my archer-force come off.
LYSISTRATA
Ah, ha, you thought it was a herd of slavesYou had to tackle, and you didn't guessThe thirst for glory ardent in our blood.
MAGISTRATE
By Apollo, I know well the thirst that heats you–Especially when a wine-skin's close.
MEN
You waste your breath, dear magistrate, I fear, in answering back.What's the good of argument with such a rampageous pack?Remember how they washed us down (these very clothes I wore)With water that looked nasty and that smelt so even more.
WOMEN
What else to do, since you advanced too dangerously nigh.If you should do the same again, I'll punch you in the eye.Though I'm a stay-at-home and most a quiet life enjoy,Polite to all and every (for I'm naturally coy),Still if you wake a wasps' nest then of wasps you must beware.
MEN
How may this ferocity be tamed? It grows too great to bear.Let us question them and find if they'll perchance declareThe reason why they strangely dareTo seize on Cranaos' citadel,This eyrie inaccessible,This shrine above the precipice,The Acropolis.Probe them and find what they mean with this idle talk; listen,but watch they don't try to deceive.You'd be neglecting your duty most certainly if now this mysteryunplumbed you leave.
MAGISTRATE
Women there! Tell what I ask you, directly….Come, without rambling, I wish you to stateWhat's your rebellious intention in barring up thus on our nosesour own temple-gate.
LYSISTRATA
To take first the treasury out of your management, and so stop the warthrough the absence of gold.
MAGISTRATE
Is gold then the cause of the war?
LYSISTRATA
Yes, gold caused it and miseries more, too many to be told.'Twas for money, and money alone, that Pisander with all of the army ofmob-agitators.Raised up revolutions. But, as for the future, it won't be worth whileto set up to be traitors.Not an obol they'll get as their loot, not an obol! while we have thetreasure-chest in our command.
MAGISTRATE
What then is that you propose?
LYSISTRATA
Just this–merely to take the exchequer henceforth in hand.
MAGISTRATE
The exchequer!
LYSISTRATA
Yes, why not? Of our capabilities you have had various clear evidences.Firstly remember we have always administered soundly the budget of allhome-expenses.
MAGISTRATE
But this matter's different.
LYSISTRATA
How is it different?
MAGISTRATE
Why, it deals chiefly with war-time supplies.
LYSISTRATA
But we abolish war straight by our policy.
MAGISTRATE
What will you do if emergencies arise?
LYSISTRATA
Face them our own way.
MAGISTRATE
What you will?
LYSISTRATA
Yes we will!
MAGISTRATE
Then there's no help for it; we're all destroyed.
LYSISTRATA
No, willy-nilly you must be safeguarded.
MAGISTRATE
What madness is this?
LYSISTRATA
Why, it seems you're annoyed.It must be done, that's all.
MAGISTRATE
Such awful oppression never,O never in the past yet I bore.
LYSISTRATA
You must be saved, sirrah–that's all there is to it.
MAGISTRATE
If we don't want to be saved?
LYSISTRATA
All the more.
MAGISTRATE
Why do you women come prying and meddling in matters of state touchingwar-time and peace?
LYSISTRATA
That I will tell you.
MAGISTRATE
O tell me or quickly I'll–
LYSISTRATA
Hearken awhile and from threatening cease.
MAGISTRATE
I cannot, I cannot; it's growing too insolent.
WOMEN
Come on; you've far more than we have to dread.
MAGISTRATE
Stop from your croaking, old carrion-crow there….Continue.
LYSISTRATA
Be calm then and I'll go ahead.All the long years when the hopeless war dragged along we, unassuming,forgotten in quiet,Endured without question, endured in our loneliness all your incessantchild's antics and riot.Our lips we kept tied, though aching with silence, though well all thewhile in our silence we knewHow wretchedly everything still was progressing by listening dumbly theday long to you.For always at home you continued discussing the war and its politicsloudly, and weSometimes would ask you, our hearts deep with sorrowing though we spokelightly, though happy to see,"What's to be inscribed on the side of the Treaty-stoneWhat, dear, was said in the Assembly today?""Mind your own business," he'd answer me growlingly"hold your tongue, woman, or else go away."And so I would hold it.
WOMEN
I'd not be silent for any man living on earth, no, not I!
MAGISTRATE
Not for a staff?
LYSISTRATA
Well, so I did nothing but sit in the house, feeling dreary, and sigh,While ever arrived some fresh tale of decisions more foolish by far andpresaging disaster.Then I would say to him, "O my dear husband, why still do they rush ondestruction the faster?"At which he would look at me sideways, exclaiming, "Keep for your weband your shuttle your care,Or for some hours hence your cheeks will be sore and hot; leave thisalone, war is Man's sole affair!"
MAGISTRATE
By Zeus, but a man of fine sense, he.
LYSISTRATA
How sensible?You dotard, because he at no time had lentHis intractable ears to absorb from our counsel one temperate word ofadvice, kindly meant?But when at the last in the streets we heard shouted (everywhere ringingthe ominous cry)"Is there no one to help us, no saviour in Athens?" and, "No, there isno one," come back in reply.At once a convention of all wives through Hellas here for a seriouspurpose was held,To determine how husbands might yet back to wisdom despite theirreluctance in time be compelled.Why then delay any longer? It's settled. For the future you'll takeup our old occupation.Now in turn you're to hold tongue, as we did, and listen while we showthe way to recover the nation.
MAGISTRATE
You talk to us! Why, you're mad. I'll not stand it.
LYSISTRATA
Cease babbling, you fool; till I end, hold your tongue.
MAGISTRATE
If I should take orders from one who wears veils, may myneck straightaway be deservedly wrung.
LYSISTRATA
O if that keeps pestering you,I've a veil here for your hair,I'll fit you out in everythingAs is only fair.
CALONICE
Here's a spindle that will do.
MYRRHINE
I'll add a wool-basket too.
LYSISTRATA
Girdled now sit humbly at home,Munching beans, while you card wool and comb. For war from now onis the Women's affair.
WOMEN.
Come then, down pitchers, all,And on, courageous of heart,In our comradely ventureEach taking her due part.
I could dance, dance, dance, and be fresher after,I could dance away numberless suns,To no weariness let my knees bend.Earth I could brave with laughter,Having such wonderful girls here to friend.O the daring, the gracious, the beautiful ones!Their courage unswerving and wittyWill rescue our city.
O sprung from the seed of most valiant-wombed grand-mothers,scions of savage and dangerous nettles!Prepare for the battle, all. Gird up your angers. Our waythe wind of sweet victory settles.
LYSISTRATA
O tender Eros and Lady of Cyprus, some flush of beauty Ipray you deviseTo flash on our bosoms and, O Aphrodite, rosily gleam onour valorous thighs!Joy will raise up its head through the legions warring andall of the far-serried ranks of mad-loveBristle the earth to the pillared horizon, pointing in vain tothe heavens above.I think that perhaps then they'll give us our title–Peace-makers.
MAGISTRATE
What do you mean? Please explain.
LYSISTRATA
First, we'll not see you now flourishing arms about into the Marketing-place clang again.
WOMEN No, by the Paphian.
LYSISTRATA
Still I can conjure them as past were the herbs stand or crockery's soldLike Corybants jingling (poor sots) fully armoured, they noisily roundon their promenade strolled.
MAGISTRATE
And rightly; that's discipline, they–
LYSISTRATA
But what's sillier than to go on an errand of buying a fishCarrying along an immense. Gorgon-buckler instead the usual platteror dish?A phylarch I lately saw, mounted on horse-back, dressed for the partwith long ringlets and all,Stow in his helmet the omelet bought steaming from an old woman whokept a food-stall.Nearby a soldier, a Thracian, was shaking wildly his spear like Tereusin the play,To frighten a fig-girl while unseen the ruffian filched from herfruit-trays the ripest away.
MAGISTRATE
How, may I ask, will your rule re-establish order and justice in landsso tormented?
LYSISTRATA
Nothing is easier.
MAGISTRATE
Out with it speedily–what is this plan that you boast you've invented?
LYSISTRATA
If, when yarn we are winding, It chances to tangle, then, as perchance youmay know, through the skeinThis way and that still the spool we keep passing till it is finally clearall again:So to untangle the War and its errors, ambassadors out on all sides we willsendThis way and that, here, there and round about–soon you will find that theWar has an end.
MAGISTRATE
So with these trivial tricks of the household, domestic analogies ofthreads, skeins and spools,You think that you'll solve such a bitter complexity, unwind such politicalproblems, you fools!
LYSISTRATA
Well, first as we wash dirty wool so's to cleanse it, so with a pitilesszeal we will scrubThrough the whole city for all greasy fellows; burrs too, the parasites,off we will rub.That verminous plague of insensate place-seekers soon between thumb andforefinger we'll crack.All who inside Athens' walls have their dwelling into one great commonbasket we'll pack.Disenfranchised or citizens, allies or aliens, pell-mell the lot of themin we will squeeze.Till they discover humanity's meaning…. As for disjointed and farcolonies,Them you must never from this time imagine as scattered about just likelost hanks of wool.Each portion we'll take and wind in to this centre, inward to Athenseach loyalty pull,Till from the vast heap where all's piled together at last can be wovena strong Cloak of State.
MAGISTRATE
How terrible is it to stand here and watch them carding and winding atwill with our fate,Witless in war as they are.
LYSISTRATA
What of us then, who ever in vain for our children must weepBorne but to perish afar and in vain?
MAGISTRATE
Not that, O let that one memory sleep!
LYSISTRATA
Then while we should be companioned still merrily, happy as brides may,the livelong night,Kissing youth by, we are forced to lie single…. But leave for a momentour pitiful plight,It hurts even more to behold the poor maidens helpless wrinkling instaler virginity.
MAGISTRATE
Does not a man age?
LYSISTRATA
Not in the same way. Not as a woman grows withered, grows he.He, when returned from the war, though grey-headed, yetif he wishes can choose out a wife.But she has no solace save peering for omens, wretched andlonely the rest of her life.
MAGISTRATE
But the old man will often select–
LYSISTRATA
O why not finish and die?A bier is easy to buy,A honey-cake I'll knead you with joy,This garland will see you are decked.
CALONICE
I've a wreath for you too.
MYRRHINE
I also will fillet you.
LYSISTRATA
What more is lacking? Step aboard the boat.See, Charon shouts ahoy.You're keeping him, he wants to shove afloat.
MAGISTRATE
Outrageous insults! Thus my place to flout!Now to my fellow-magistrates I'll goAnd what you've perpetrated on me show.
LYSISTRATA
Why are you blaming us for laying you out?Assure yourself we'll not forget to makeThe third day offering early for your sake.
MAGISTRATE retires, LYSISTRATA returns within.
OLD MEN.
All men who call your loins your own, awake at last, ariseAnd strip to stand in readiness. For as it seems to meSome more perilous offensive in their heads they now devise.I'm sure a TyrannyLike that of HippiasIn this I detect….They mean to put us underThemselves I suspect,And that Laconians assemblingAt Cleisthenes' house have playedA trick-of-war and provoked themMadly to raidThe Treasury, in which term I includeThe Pay for my food.
For is it not preposterousThey should talk this way to usOn a subject such as battle!
And, women as they are, about bronze bucklers dare prattle–Make alliance with the Spartans–people I for oneLike very hungry wolves would always most sincere shun….Some dirty game is up their sleeve,I believe.A Tyranny, no doubt… but they won't catch me, that know.Henceforth on my guard I'll go,A sword with myrtle-branches wreathed for ever in my hand,And under arms in the Public Place I'll take my watchful stand,Shoulder to shoulder with Aristogeiton. Now my staff I'll drawAnd start at once by knockingthat shockingHag upon the jaw.
WOMEN.
Your own mother will not know you when you get back to the town.But first, my friends and allies, let us lay these garments down,And all ye fellow-citizens, hark to me while I tellWhat will aid Athens well.Just as is right, for IHave been a sharerIn all the lavish splendourOf the proud city.I bore the holy vesselsAt seven, thenI pounded barleyAt the age of ten,And clad in yellow robes,Soon after this,I was Little Bear toBrauronian Artemis;Then neckletted with figs,Grown tall and pretty,I was a Basket-bearer,And so it's obvious I shouldGive you advice that I think good,The very best I can.It should not prejudice my voice that I'm not born a man,If I say something advantageous to the present situation.For I'm taxed too, and as a toll provide men for the nationWhile, miserable greybeards, you,It is true,Contribute nothing of any importance whatever to our needs;But the treasure raised against the MedesYou've squandered, and do nothing in return, save that you makeOur lives and persons hazardous by some imbecile mistakesWhat can you answer? Now be careful, don't arouse my spite,Or with my slipper I'll take you napping,faces slappingLeft and right.
MEN.
What villainies they contrive!Come, let vengeance fall,You that below the waist are still alive,Off with your tunics at my call–Naked, all.For a man must strip to battle like a man.No quaking, brave steps taking, careless what's ahead, white shoed,in the nude, onward bold,All ye who garrisoned Leipsidrion of old….Let each one wagAs youthfully as he can,And if he has the cause at heartRise at least a span.
We must take a stand and keep to it,For if we yield the smallest bitTo their importunity.Then nowhere from their inroads will be left to us immunity.But they'll be building ships and soon their navies will attack us,As Artemisia did, and seek to fight us and to sack us.And if they mount, the Knights they'll robOf a job,For everyone knows how talented they all are in the saddle,Having long practised how to straddle;No matter how they're jogged there up and down, they're never thrown.Then think of Myron's painting, and each horse-backed AmazonIn combat hand-to-hand with men…. Come, on these women fall,And in pierced wood-collars let's stickquickThe necks of one and all.
WOMEN.
Don't cross me or I'll looseThe Beast that's kennelled here….And soon you will be howling for a truce,Howling out with fear.But my dear,Strip also, that women may battle unhindered….But you, you'll be too sore to eat garlic more, or one black bean,I really mean, so great's my spleen, to kick you black and blueWith these my dangerous legs.I'll hatch the lot of you,If my rage you dash on,The way the relentless BeetleHatched the Eagle's eggs.
Scornfully aside I setEvery silly old-man threatWhile Lampito's with me.Or dear Ismenia, the noble Theban girl. Then let decreeBe hotly piled upon decree; in vain will be your labours,You futile rogue abominated by your suffering neighbourTo Hecate's feast I yesterday went.Off I sentTo our neighbours in Boeotia, asking as a gift to meFor them to pack immediatelyThat darling dainty thing … a good fat eel [1] I meant of course;
[Footnote 1:Vide supra, p. 23.]
But they refused because some idiotic old decree's in force.O this strange passion for decrees nothing on earth can check,Till someone puts a foot out tripping you,and slipping youBreak your neck.
LYSISTRATA enters in dismay.
WOMEN
Dear Mistress of our martial enterprise,Why do you come with sorrow in your eyes?
LYSISTRATA
O 'tis our naughty femininity,So weak in one spot, that hath saddened me.
WOMEN
What's this? Please speak.
LYSISTRATA
Poor women, O so weak!
WOMEN
What can it be? Surely your friends may know.
LYSISTRATA
Yea, I must speak it though it hurt me so.
WOMEN
Speak; can we help? Don't stand there mute in need.
LYSISTRATA
I'll blurt it out then–our women's army's mutinied.
WOMEN
O Zeus!
LYSISTRATA
What use is Zeus to our anatomy?Here is the gaping calamity I meant:I cannot shut their ravenous appetitesA moment more now. They are all deserting.The first I caught was sidling through the posternClose by the Cave of Pan: the next hoisting herselfWith rope and pulley down: a third on the pointOf slipping past: while a fourth malcontent, seatedFor instant flight to visit OrsilochusOn bird-back, I dragged off by the hair in time….They are all snatching excuses to sneak home.Look, there goes one…. Hey, what's the hurry?
1ST WOMAN
I must get home. I've some Milesian woolPacked wasting away, and moths are pushing through it.
LYSISTRATA
Fine moths indeed, I know. Get back within.
1ST WOMAN
By the Goddesses, I'll return instantly.I only want to stretch it on my bed.
LYSISTRATA
You shall stretch nothing and go nowhere either.
1ST WOMAN
Must I never use my wool then?
LYSISTRATA
If needs be.
2ND WOMAN
How unfortunate I am! O my poor flax!It's left at home unstript.
LYSISTRATA
So here's anotherThat wishes to go home and strip her flax.Inside again!
2ND WOMAN
No, by the Goddess of Light,I'll be back as soon as I have flayed it properly.
LYSISTRATA
You'll not flay anything. For if you beginThere'll not be one here but has a patch to be flayed.
3RD WOMAN
O holy Eilithyia, stay this birthTill I have left the precincts of the place!
LYSISTRATA
What nonsense is this?
3RD WOMAN
I'll drop it any minute.
LYSISTRATA
Yesterday you weren't with child.
3RD WOMAN
But I am today.O let me find a midwife, Lysistrata.O quickly!
LYSISTRATA
Now what story is this you tell?What is this hard lump here?
3RD WOMAN
It's a male child.
LYSISTRATA
By Aphrodite, it isn't. Your belly's hollow,And it has the feel of metal…. Well, I soon can see.You hussy, it's Athene's sacred helm,And you said you were with child.
3RD WOMAN
And so I am.
LYSISTRATA
Then why the helm?
3RD WOMAN
So if the throes should take meStill in these grounds I could use it like a doveAs a laying-nest in which to drop the child.
LYSISTRATA
More pretexts! You can't hide your clear intent,And anyway why not wait till the tenth dayMeditating a brazen name for your brass brat?
WOMAN
And I can't sleep a wink. My nerve is goneSince I saw that snake-sentinel of the shrine.
WOMAN
And all those dreadful owls with their weird hooting!Though I'm wearied out, I can't close an eye.
LYSISTRATA
You wicked women, cease from juggling lies.You want your men. But what of them as well?They toss as sleepless in the lonely night,I'm sure of it. Hold out awhile, hold out,But persevere a teeny-weeny longer.An oracle has promised VictoryIf we don't wrangle. Would you hear the words?
WOMEN
Yes, yes, what is it?
LYSISTRATA
Silence then, you chatterboxes.Here–Whenas the swallows flocking in one place from the hoopoesDeny themselves love's gambols any more,All woes shall then have ending and great Zeus the ThundererShall put above what was below before.
WOMEN
Will the men then always be kept under us?
LYSISTRATABut if the swallows squabble among themselves and fly awayOut of the temple, refusing to agree,Then The Most Wanton Birds in all the WorldThey shall be named for ever. That's his decree.
WOMAN
It's obvious what it means.LYSISTRATA
Now by all the godsWe must let no agony deter from duty,Back to your quarters. For we are base indeed,My friends, if we betray the oracle.
She goes out.
OLD MEN.
I'd like to remind you of a fable they used to employ,When I was a little boy:How once through fear of the marriage-bed a young man,Melanion by name, to the wilderness ran,And there on the hills he dwelt.For hares he wove a netWhich with his dog he set–Most likely he's there yet.For he never came back home, so great was the fear he felt.I loathe the sex as much as he,And therefore I no less shall beAs chaste as was Melanion.
MAN
Grann'am, do you much mind men?
WOMAN
Onions you won't need, to cry.
MAN
From my foot you shan't escape.
WOMAN
What thick forests I espy.
MEN
So much Myronides' fierce beardAnd thundering black back were feared,That the foe fled when they were shown–Brave he as Phormion.
WOMEN.
Well, I'll relate a rival fable just to show to youA different point of view:There was a rough-hewn fellow, Timon, with a faceThat glowered as through a thorn-bush in a wild, bleak place.He too decided on flight,This very Furies' son,All the world's ways to shunAnd hide from everyone,Spitting out curses on all knavish men to left and right.But though he reared this hate for men,He loved the women even then,And never thought them enemies.
WOMAN
O your jaw I'd like to break.
MAN
That I fear do you suppose?
WOMAN
Learn what kicks my legs can make.
MAN
Raise them up, and you'll expose–
WOMAN
Nay, you'll see there, I engage,All is well kept despite my age,And tended smooth enough to slipFrom any adversary's grip.
LYSISTRATA appears.
LYSISTRATA
Hollo there, hasten hither to meSkip fast along.
WOMAN
What is this? Why the noise?
LYSISTRATA
A man, a man! I spy a frenzied man!He carries Love upon him like a staff.O Lady of Cyprus, and Cythera, and Paphos,I beseech you, keep our minds and hands to the oath.
WOMAN
Where is he, whoever he is?
LYSISTRATA
By the Temple of Chloe.
WOMAN
Yes, now I see him, but who can he be?
LYSISTRATA
Look at him. Does anyone recognise his face?
MYRRHINE
I do. He is my husband, Cinesias.
LYSISTRATA
You know how to work. Play with him, lead him on,Seduce him to the cozening-point–kiss him, kiss him,Then slip your mouth aside just as he's sure of it,Ungirdle every caress his mouth feels atSave that the oath upon the bowl has locked.
MYRRHINE
You can rely on me.
LYSISTRATA
I'll stay here to helpIn working up his ardor to its heightOf vain magnificence…. The rest to their quarters.
Enter CINESIAS.
Who is this that stands within our lines?
CINESIAS
I.
LYSISTRATA
A man?
CINESIAS
Too much a man!
LYSISTRATA
Then be off at once.
CINESIAS
Who are you that thus eject me?
LYSISTRATA
Guard for the day.
CINESIAS
By all the gods, then call Myrrhine hither.
LYSISTRATA
So, call Myrrhine hither! Who are you?
CINESIAS
I am her husband Cinesias, son of Anthros.
LYSISTRATA
Welcome, dear friend! That glorious name of yoursIs quite familiar in our ranks. Your wifeContinually has it in her mouth.She cannot touch an apple or an eggBut she must say, "This to Cinesias!"
CINESIAS
O is that true?
LYSISTRATA
By Aphrodite, it is.If the conversation strikes on men, your wifeCuts in with, "All are boobies by Cinesias."
CINESIAS
Then call her here.
LYSISTRATA
And what am I to get?
CINESIAS
This, if you want it…. See, what I have here.But not to take away.
LYSISTRATA
Then I'll call her.
CINESIAS
Be quick, be quick. All grace is wiped from lifeSince she went away. O sad, sad am IWhen there I enter on that loneliness,And wine is unvintaged of the sun's flavour.And food is tasteless. But I've put on weight.
MYRRHINE (above)
I love him O so much! but he won't have it.Don't call me down to him.
CINESIAS
Sweet little Myrrhine!What do you mean? Come here.
MYRRHINE
O no I won't.Why are you calling me? You don't want me.
CINESIAS
Not want you! with this week-old strength of love.
MYRRHINE
Farewell.
CINESIAS
Don't go, please don't go, Myrrhine.At least you'll hear our child. Call your mother, lad.
CHILD
Mummy … mummy … mummy!
CINESIAS
There now, don't you feel pity for the child?He's not been fed or washed now for six days.
MYRRHINE
I certainly pity him with so heartless a father.
CINESIAS
Come down, my sweetest, come for the child's sake.
MYRRHINE
A trying life it is to be a mother!I suppose I'd better go. She comes down.
CINESIAS
How much younger she looks,How fresher and how prettier! Myrrhine,Lift up your lovely face, your disdainful face;And your ankle … let your scorn step out its worst;It only rubs me to more ardor here.
MYRRHINE (playing with the child)
You're as innocent as he's iniquitous.Let me kiss you, honey-petting, mother's darling.
CINESIAS
How wrong to follow other women's counselAnd let loose all these throbbing voids in yourselfAs well as in me. Don't you go throb-throb?
MYRRHINE
Take away your hands.
CINESIAS
Everything in the houseIs being ruined.
MYRRHINE
I don't care at all.
CINESIAS
The roosters are picking all your web to rags.Do you mind that?
MYRRHINE
Not I.
CINESIAS
What time we've wastedWe might have drenched with Paphian laughter, flungOn Aphrodite's Mysteries. O come here.
MYRRHINE
Not till a treaty finishes the war.
CINESIAS
If you must have it, then we'll get it done.
MYRRHINE
Do it and I'll come home. Till then I am bound.
CINESIAS
Well, can't your oath perhaps be got around?
MYRRHINE
No … no … still I'll not say that I don't love you.
CINESIAS
You love me! Then dear girl, let me also love you.
MYRRHINE
You must be joking. The boy's looking on.
CINESIAS
Here, Manes, take the child home!… There, he's gone.There's nothing in the way now. Come to the point.
MYRRHINE
Here in the open! In plain sight?
CINESIAS
In Pan's cave.A splendid place.
MYRRHINE
Where shall I dress my hair againBefore returning to the citadel?
CINESIAS
You can easily primp yourself in the Clepsydra.
MYRRHINE
But how can I break my oath?
CINESIAS
Leave that to me,I'll take all risk.
MYRRHINE
Well, I'll make you comfortable.
CINESIAS
Don't worry. I'd as soon lie on the grass.
MYRRHINE
No, by Apollo, in spite of all your faultsI won't have you lying on the nasty earth.(From here MYRRHINE keeps on going off to fetch things.)
CINESIAS
Ah, how she loves me.
MYRRHINE
Rest there on the bench,While I arrange my clothes. O what a nuisance,I must find some cushions first.
CINESIAS
Why some cushions?Please don't get them!
MYRRHINE
What? The plain, hard wood?Never, by Artemis! That would be too vulgar.
CINESIAS
Open your arms!
MYRRHINE
No. Wait a second.
CINESIAS
O….Then hurry back again.
MYRRHINE
Here the cushions are.Lie down while I–O dear! But what a shame,You need more pillows.
CINESIAS
I don't want them, dear.
MYRRHINE
But I do.
CINESIAS
Thwarted affection mine,They treat you just like Heracles at a feastWith cheats of dainties, O disappointing arms!
MYRRHINE
Raise up your head.
CINESIAS
There, that's everything at last.
MYRRHINE
Yes, all.
CINESIAS
Then run to my arms, you golden girl.
MYRRHINE
I'm loosening my girdle now. But you've not forgotten?You're not deceiving me about the Treaty?
CINESIAS
No, by my life, I'm not.
MYRRHINE
Why, you've no blanket.
CINESIAS
It's not the silly blanket's warmth but yours I want.
MYRRHINE
Never mind. You'll soon have both. I'll come straight back.
CINESIAS
The woman will choke me with her coverlets.
MYRRHINE
Get up a moment.
CINESIAS
I'm up high enough.
MYRRHINE
Would you like me to perfume you?
CINESIAS
By Apollo, no!
MYRRHINE
By Aphrodite, I'll do it anyway.
CINESIAS
Lord Zeus, may she soon use up all the myrrh.
MYRRHINE
Stretch out your hand. Take it and rub it in.
CINESIAS
Hmm, it's not as fragrant as might be; that is,Not before it's smeared. It doesn't smell of kisses.
MYRRHINE
How silly I am: I've brought you Rhodian scents.
CINESIAS
It's good enough, leave it, love.
MYRRHINE
You must be jesting.
CINESIAS
Plague rack the man who first compounded scent!
MYRRHINE
Here, take this flask.
CINESIAS
I've a far better one.Don't tease me, come here, and get nothing more.
MYRRHINE
I'm coming…. I'm just drawing off my shoes….You're sure you will vote for Peace?
CINESIAS
I'll think about it.She runs off.I'm dead: the woman's worn me all away.She's gone and left me with an anguished pulse.
MEN
Baulked in your amorous delightHow melancholy is your plight.With sympathy your case I view;For I am sure it's hard on you.What human being could sustainThis unforeseen domestic strain,And not a single traceOf willing women in the place!
CINESIAS
O Zeus, what throbbing suffering!
MEN
She did it all, the harlot, sheWith her atrocious harlotry.
WOMEN
Nay, rather call her darling-sweet.
MEN
What, sweet? She's a rude, wicked thing.
CINESIAS
A wicked thing, as I repeat.O Zeus, O Zeus,Canst Thou not suddenly let looseSome twirling hurricane to tearHer flapping up along the airAnd drop her, when she's whirled around,Here to the groundNeatly impaled upon the stakeThat's ready upright for her sake.He goes out.
Enter SPARTAN HERALD.
The MAGISTRATE comes forward.
HERALD
What here gabs the Senate an' the Prytanes?I've fetcht despatches for them.
MAGISTRATE
Are you a manOr a monstrosity?
HERALD
My scrimp-brained lad,I'm a herald, as ye see, who hae come frae SpartaAnent a Peace.
MAGISTRATE
Then why do you hide that lanceThat sticks out under your arms?
HERALD.
I've brought no lance.
MAGISTRATE
Then why do you turn aside and hold your cloakSo far out from your body? Is your groin swollenWith stress of travelling?
HERALD
By Castor, I'll swearThe man is wud.
MAGISTRATE
Indeed, your cloak is wide,My rascal fellow.
HERALD
But I tell ye No!Enow o' fleering!
MAGISTRATE
Well, what is it then?
HERALD
It's my despatch cane.
MAGISTRATE
Of course–a Spartan cane!But speak right out. I know all this too well.Are new privations springing up in Sparta?
HERALD
Och, hard as could be: in lofty lusty columnsOur allies stand united. We maun get Pellene.
MAGISTRATE
Whence has this evil come? Is it from Pan?
HERALD
No. Lampito first ran asklent, then the othersSprinted after her example, and blocked, the hizzies,Their wames unskaithed against our every fleech.
MAGISTRATE
What did you do?
HERALD
We are broken, and bent double,Limp like men carrying lanthorns in great windsAbout the city. They winna let us evenWi' lightest neif skim their primsie prettiesTill we've concluded Peace-terms wi' a' Hellas.
MAGISTRATE
So the conspiracy is universal;This proves it. Then return to Sparta. Bid themSend envoys with full powers to treat of Peace;And I will urge the Senate here to choosePlenipotentiary ambassadors,As argument adducing this connection.
HERALD
I'm off. Your wisdom none could contravert.They retire.
MEN
There is no beast, no rush of fire, like woman so untamed.She calmly goes her way where even panthers would be shamed.
WOMEN
And yet you are fool enough, it seems, to dare to war with me,When for your faithful ally you might win me easily.
MEN
Never could the hate I feel for womankind grow less.
WOMEN
Then have your will. But I'll take pity on your nakedness.For I can see just how ridiculous you look, and soWill help you with your tunic if close up I now may go.
MEN
Well, that, by Zeus, is no scoundrel-deed, I frankly will admit.I only took them off myself in a scoundrel raging-fit.
WOMEN
Now you look sensible, and that you're men no one could doubt.If you were but good friends again, I'd take the insect outThat hurts your eye.
MEN
Is that what's wrong? That nasty bitie thing.Please squeeze it out, and show me what it is that makes this sting.It's been paining me a long while now.
WOMEN
Well I'll agree to that,Although you're most unmannerly. O what a giant gnat.Here, look! It comes from marshy Tricorysus, I can tell.
MEN
O thank you. It was digging out a veritable well.Now that it's gone, I can't hold back my tears. See how they fall.
WOMEN
I'll wipe them off, bad as you are, and kiss you after all.
MEN
I won't be kissed.
WOMEN
O yes, you will. Your wishes do not matter.
MEN
O botheration take you all! How you cajole and flatter.A hell it is to live with you; to live without, a hell:How truly was that said. But come, these enmities let's quell.You stop from giving orders and I'll stop from doing wrong.So let's join ranks and seal our bargain with a choric song.
CHORUS.
Athenians, it's not our intentionTo sow political dissensionBy giving any scandal mention;But on the contrary to promote good feeling in the stateBy word and deed. We've had enough calamities of late.So let a man or woman but divulgeThey need a trifle, say,Two minas, three or four,I've purses here that bulge.There's only one condition made(Indulge my whim in this I pray)–When Peace is signed once more,On no account am I to be repaid.
And I'm making preparationFor a gay select collationWith some youths of reputation.I've managed to produce some soup and they're slaughtering for meA sucking-pig: its flesh should taste as tender as could be.I shall expect you at my house today.To the baths make an early visit,And bring your children along;Don't dawdle on the way.Ask no one; enter as if the placeWas all your own–yours henceforth is it.If nothing chances wrong,The door will then be shut bang in your face.
The SPARTAN AMBASSADORS approach.
CHORUS
Here come the Spartan envoys with long, worried beards.Hail, Spartans how do you fare?Did anything new arise?
SPARTANS
No need for a clutter o' words. Do ye see our condition?
CHORUS
The situation swells to greater tension.Something will explode soon.
SPARTANS
It's awfu' truly.But come, let us wi' the best speed we mayScribble a Peace.
CHORUS
I notice that our menLike wrestlers poised for contest, hold their clothesOut from their bellies. An athlete's malady!Since exercise alone can bring relief.
ATHENIANS
Can anyone tell us where Lysistrata is?There is no need to describe our men's condition,It shows up plainly enough.
CHORUS
It's the same disease.Do you feel a jerking throbbing in the morning?
ATHENIANS
By Zeus, yes! In these straits, I'm racked all through.Unless Peace is soon declared, we shall be drivenIn the void of women to try Cleisthenes.
CHORUS
Be wise and cover those things with your tunics.Who knows what kind of person may perceive you?
ATHENIANS
By Zeus, you're right.
SPARTANS
By the Twa Goddesses,Indeed ye are. Let's put our tunics on.
ATHENIANS
Hail O my fellow-sufferers, hail Spartans.
SPARTANS
O hinnie darling, what a waefu' thing!If they had seen us wi' our lunging waddies!
ATHENIANS
Tell us then, Spartans, what has brought you here?
SPARTANS
We come to treat o' Peace.
ATHENIANS
Well spoken there!And we the same. Let us callout LysistrataSince she alone can settle the Peace-terms.
SPARTANS
Callout Lysistratus too if ye don't mind.
CHORUS
No indeed. She hears your voices and she comes.
Enter LYSISTRATA
Hail, Wonder of all women! Now you must be in turnHard, shifting, clear, deceitful, noble, crafty, sweet, and stern.The foremost men of Hellas, smitten by your fascination,Have brought their tangled quarrels here for your sole arbitration.
LYSISTRATA
An easy task if the love's raging home-sicknessDoesn't start trying out how well each otherWill serve instead of us. But I'll know at onceIf they do. O where's that girl, Reconciliation?Bring first before me the Spartan delegates,And see you lift no rude or violent hands–None of the churlish ways our husbands used.But lead them courteously, as women should.And if they grudge fingers, guide them by other methods,And introduce them with ready tact. The AtheniansDraw by whatever offers you a grip.Now, Spartans, stay here facing me. Here you,Athenians. Both hearken to my words.I am a woman, but I'm not a fool.And what of natural intelligence I ownHas been filled out with the remembered preceptsMy father and the city-elders taught me.First I reproach you both sides equallyThat when at Pylae and Olympia,At Pytho and the many other shrinesThat I could name, you sprinkle from one cupThe altars common to all Hellenes, yetYou wrack Hellenic cities, bloody HellasWith deaths of her own sons, while yonder clangsThe gathering menace of barbarians.
ATHENIANS
We cannot hold it in much longer now.
LYSISTRATA
Now unto you, O Spartans, do I speak.Do you forget how your own countryman,Pericleidas, once came hither suppliantBefore our altars, pale in his purple robes,Praying for an army when in MesseniaDanger growled, and the Sea-god made earth quaver.Then with four thousand hoplites Cimon marchedAnd saved all Sparta. Yet base ingrates now,You are ravaging the soil of your preservers.
ATHENIANS
By Zeus, they do great wrong, Lysistrata.
SPARTANS
Great wrong, indeed. O! What a luscious wench!
LYSISTRATA
And now I turn to the Athenians.Have you forgotten too how once the SpartansIn days when you wore slavish tunics, cameAnd with their spears broke a Thessalian hostAnd all the partisans of Hippias?They alone stood by your shoulder on that day.They freed you, so that for the slave's short skirtYou should wear the trailing cloak of liberty.
SPARTANS
I've never seen a nobler woman anywhere.
ATHENIANS
Nor I one with such prettily jointing hips.
LYSISTRATA
Now, brethren twined with mutual benefactions,Can you still war, can you suffer such disgrace?Why not be friends? What is there to prevent you?
SPARTANS
We're agreed, gin that we get this tempting Mole.
LYSISTRATA
Which one?
SPARTANS
That ane we've wanted to get into,O for sae lang…. Pylos, of course.
ATHENIANS
By Poseidon,Never!
LYSISTRATA
Give it up.
ATHENIANS
Then what will we do?We need that ticklish place united to us–
LYSISTRATA
Ask for some other lurking-hole in return.
ATHENIANS
Then, ah, we'll choose this snug thing here, Echinus,Shall we call the nestling spot? And this backside haven,These desirable twin promontories, the Maliac,And then of course these Megarean Legs.
SPARTANS
Not that, O surely not that, never that.
LYSISTRATA
Agree! Now what are two legs more or less?
ATHENIANS
I want to strip at once and plough my land.
SPARTANS
And mine I want to fertilize at once.
LYSISTRATA
And so you can, when Peace is once declared.If you mean it, get your allies' heads togetherAnd come to some decision.
ATHENIANS
What allies?There's no distinction in our politics:We've risen as one man to this conclusion;Every ally is jumping-mad to drive it home.
SPARTANS
And ours the same, for sure.
ATHENIANS
The Carystians first!I'll bet on that.
LYSISTRATA
I agree with all of you.Now off, and cleanse yourselves for the Acropolis,For we invite you all in to a supperFrom our commissariat baskets. There at tableYou will pledge good behaviour and uprightness;Then each man's wife is his to hustle home.
ATHENIANS
Come, as quickly as possible.
SPARTANS
As quick as ye like.Lead on.
ATHENIANS
Zeus, quick, quick, lead quickly on.They hurry off.
CHORUS.
Broidered stuffs on high I'm heaping,Fashionable cloaks and sweepingTrains, not even gold gawds keeping.Take them all, I pray you, take them all (I do not care)And deck your children–your daughter, if the Basket she's to bear.Come, everyone of you, come in and takeOf this rich hoard a share.Nought's tied so skilfullyBut you its seal can breakAnd plunder all you spy inside.I've laid out all that I can spare,And therefore you will seeNothing unless than I you're sharper-eyed.If lacking corn a man should beWhile his slaves clamour hungrilyAnd his excessive progeny,Then I've a handfull of grain at home which is always to be had,And to which in fact a more-than-life-size loaf I'd gladly add.
Then let the poor bring with them bag or sackAnd take this store of food.Manes, my man, I'll tellTo help them all to packTheir wallets full. But O take care.I had forgotten; don't intrude,Or terrified you'll yell.My dog is hungry too, and bites–beware!
Some LOUNGERS from the Market with torches approachthe Banqueting hall. The PORTER bars their entrance.
1ST MARKET-LOUNGER
Open the door.
PORTER
Here move along.
1ST MARKET-LOUNGER
What's this?You're sitting down. Shall I singe you with my torch?That's vulgar! O I couldn't do it … yetIf it would gratify the audience,I'll mortify myself.
2ND MARKET-LOUNGER
And I will too.We'll both be crude and vulgar, yes we will.
PORTER
Be off at once now or you'll be wailingDirges for your hair. Get off at once,And see you don't disturb the Spartan envoysJust coming out from the splendid feast they've had.
The banqueters begin to come out.
1ST ATHENIAN
I've never known such a pleasant banquet before,And what delightful fellows the Spartans are.When we are warm with wine, how wise we grow.
2ND ATHENIAN
That's only fair, since sober we're such fools:This is the advice I'd give the Athenians–See our ambassadors are always drunk.For when we visit Sparta sober, thenWe're on the alert for trickery all the whileSo that we miss half of the things they say,And misinterpret things that were never said,And then report the muddle back to Athens.But now we're charmed with each other. They might capWith the Telamon-catch instead of the Cleitagora,And we'd applaud and praise them just the same;We're not too scrupulous in weighing words.
PORTER
Why, here the rascals come again to plague me.Won't you move on, you sorry loafers there!
MARKET-LOUNGER
Yes, by Zeus, they're already coming out.
SPARTANS
Now hinnie dearest, please tak' up your pipeThat I may try a spring an' sing my bestIn honour o' the Athenians an' oursels.
ATHENIANS
Aye, take your pipe. By all the gods, there's nothingCould glad my heart more than to watch you dance.
SPARTANS.
Mnemosyne,Let thy fire storm these younkers,O tongue wi' stormy ecstasyMy Muse that knowsOur deeds and theirs, how when at seaTheir navies swooped uponThe Medes at Artemision–Gods for their courage, did they strikeWrenching a triumph frae their foes;While at ThermopylaeLeonidas' army stood: wild-boars they were likeWild-boars that wi' fierce threatTheir terrible tusks whet;The sweat ran streaming down each twisted face,Faen blossoming i' strange petals o' deathPanted frae mortal breath,The sweat drenched a' their bodies i' that place,For the hurly-burly o' Persians glittered moreThan the sands on the shore.
Come, Hunting Girl, an' hear my prayer–You whose arrows whizz in woodlands, come an' blessThis Peace we swear.Let us be fenced wi' age long amity,O let this bond stick ever firm through theeIn friendly happiness.Henceforth no guilefu' perjury be seen!O hither, hither OThou wildwood queen.
LYSISTRATA
Earth is delighted now, peace is the voice of earth.Spartans, sort out your wives: Athenians, yours.Let each catch hands with his wife and dance his joy,Dance out his thanks, be grateful in music,And promise reformation with his heels.
ATHENIANS.
O Dancers, forward. Lead out the Graces,Call Artemis out;Then her brother, the Dancer of Skies,That gracious Apollo.Invoke with a shoutDionysus out of whose eyesBreaks fire on the maenads that follow;And Zeus with his flares of quick lightning, and call,Happy Hera, Queen of all,And all the Daimons summon hither to beWitnesses of our revelryAnd of the noble Peace we have made,Aphrodite our aid.
Io Paieon, Io, cry–For victory, leap!Attained by me, leap!Euoi Euoi Euai Euai.
SPARTANS
Piper, gie us the music for a new sang.
SPARTANS.
Leaving again lovely lofty TaygetusHither O Spartan Muse, hither to greet us,And wi' our choric voice to raiseTo Amyclean Apollo praise,And Tyndareus' gallant sons whose daysAlang Eurotas' banks merrily pass,An' Athene o' the House o' Brass.
Now the dance begin;Dance, making swirl your fringe o' woolly skin,While we join voicesTo hymn dear Sparta that rejoicesI' a beautifu' sang,An' loves to seeDancers tangled beautifully;For the girls i' tumbled ranksAlang Eurotas' banksLike wanton fillies thrang,Frolicking there
An' like Bacchantes shaking the wild airTo comb a giddy laughter through the hair,Bacchantes that clench thyrsi as they sweepTo the ecstatic leap.
An' Helen, Child o' Leda, comeThou holy, nimble, gracefu' Queen,Lead thou the dance, gather thy joyous tresses up i' bandsAn' play like a fawn. To madden them, clap thy hands,And sing praise to the warrior goddess templed i' our lands,Her o' the House o' Brass.
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