How do films construct us as spectators, according to psychoanalytic theories


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    The response should include thorough recourse to the set and recommended readings and must use the appropriate critical terminology.
    Required readings (please use those listed below as the references) :
    -Barbara creed, ‘Film and Psychoanalysis’ in John Hill & Pamela Church Gibson, ed., Film Studies: Critical Approaches (Oxford: Oxford University Press, 2000)pg. 75- 88
    -Richard Allen, "Psychoanalytic Film Theory", in Toby Miller & Robert Stam. ed., A Companion to Film Theory (Basingstoke: Blackwell, 2004), pg.124-145
    -Norman Denzin, the The Cinematic Society: The Voyeur’s Gaze (London: SAGE, 1995)
    -Laura Mulvey, "Visual and Other Pleasures"(Palgrave, 2009)
    -Laura Mulvey, "Visual Pleasure and Narrative Cinema", Screen 16:3 (Autumn 1975):6-18

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