English literature

    English literature

     

    Answer the following questions about this week’s list of poems in complete sentences:
    1 Which poem do you like the best? Why?
    2.Which poem do you like the least? Why?
    3.Identify one metaphor in two different poems. For each metaphor explain what the poet is comparing and how you personally relate to the comparison.
    4.Identify one simile in two different poems. For each simile explain what the poet is comparing using the words like or as and how you personally relate to the comparison.
    5.Write a one sentence explanation of a central theme in two poems.
    6.Quote a line from one poem that suggests a visual image. Explain how this image contributes to the poem’s meaning.
    7 Identify and describe the speaker in one poem. What does poem reveal about speaker’s attitudes or point of view?
    Explain the strategies you think the writer uses to convey a particular idea and what you think is the theme of the work.
    Describe how you personally relate to the theme, and include relevant quotes from the writing to support your paper.
    Answer the following questions in the paper to demonstrate your active, responsive reading:

    What is one inference you may make from the story?
    What impressions did you have as you read the story the first time? Were there any particular portions of the reading that you marked as you read them the second time? Why?
    For whom do you think the author was writing this story and to what purpose?
    Format your paper consistent with APA guidelines.
    Poems:
    • “Rites of Passage,” Sharon Olds (pp.787-788)
    • “ Barbie Doll,” Marge Piercy (p.791)
    • “I’m Nobody,” Emily Dickinson (p.488)
    • “Woman’s Work,” Julia Alvarez (p.790)
    • “Road Not Taken,” Robert Frost (p. 179)
    • “Those Winter Sundays,” Robert Hayden (p.785)
    • “Harlem,” Langston Hughes (p.106)
    • “So Mexicans Are Taking Jobs from Americans,” Jimmy Santiago Baca ( p. 1110)
    • “On the Amtrak from Boston to New York City,” Sherman Alexie (pp. 671-672)
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