African cinema

According to Thackway (2007, 2003a), Tomaselli (et. al.) (2003), Daiwara (1988) and others,
griot/tes have been used by African filmmakers to ‘decolonize the screen’. Find five theorists who discuss ‘decolonizing the screen’

in the context of African cinema and explain their ideas. Compare, contrast and evaluate their ideas. In the second half ofthe essay apply
them to one film from Francophone NW Africa.[Mita 1995; Barclay 1990; Sembene; Teno interviews; Naficy 2001; Shohat and Stam 1994; Sissons
2005.]

-second half watch the african movie SEMBENE via youtube https://www.youtube.com/watch?v=t-a15ZLl<xjM ifthe link do not open just
type in youtube Xala and its the first movie because it is the one related to the question.

-Use max of8 resources from the readings that

you think is strongly related.no resources from out side. 8 resources with the three mintiond in the Question

-And this is one ofthe

reading that is in the question that i could not find a draft from it: Tomaselli, KG Shepperson, A & Eke, MN 1995, ‘Towards a theory of
orality in African cinema’, Research in African Literatures 25, 3 (Fall), pp. 18-35.

Note: Their specific requirements in the form of

assignment research and planning, unit content, academic writing style, essay structure, reflexive/dialogic style, and referencing you will
find it in the instructions doc.
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